David Chung performs extensively on a variety of historic and modern keyboard instruments to critical acclaim in cities across Europe, North America and Asia. He has appeared in the Festival d’Ile-de-France, Geelvinck Fortepiano Festival, Cambridge Early Keyboard Festival, Hong Kong International Chamber Music Festival, Le French May Arts Festival and Hong Kong New Vision Arts Festival, and performed in recital series of the Benton Fletcher Collection, the Cobbe Collection and the Handel House.

As a chamber musician he has collaborated with such artists as Runa Baagøe, Victoria Brawn, Lorenzo Colitto, Ian Davidson, Jane Downer, Peter Hanson, Monica Huggett, Henning Kraggerud, Markku Luolajan-Mikkola, and Jari Puhakka. His recordings range across French baroque music and stylus phantasticus works by Bach and his contemporaries.

Chung received his education at the Chinese University of Hong Kong, the Royal Academy of Music (London) and Churchill College, Cambridge. His scholarly contributions include articles and reviews in such journals as Early Music, Early Keyboard Journal, Journal of Eighteenth-Century Music, Journal of Seventeenth-Century Music, Music and Letters, and Revue de musicologie. His edition of unpublished keyboard arrangements of Jean-Baptiste Lully’s music is recently published by the Web Library of Seventeenth-Century Music (www.sscm-wlscm.org). As teacher he has given lectures and masterclasses in institutions including the Trinity College of Music, Texas State University, UT Austin, the Central Conservatory of Beijing, the Tainan University of Technology and Hong Kong Academy for Performing Arts. Chung is currently Professor of performance studies at Hong Kong Baptist University

Geelvinck Fortepiano Festival 2017:

Prof. David Chung participates in the GFF 2017 with a recital on 20  October 2017 and a lecture recital at the 4th International Geelvinck Fortepiano Symposium, in cooperation with Hong Kong Baptist University.

Geelvinck Fortepiano Festival 2015:

Prof. David Chung will perform with a recital during the Geelvinck Fortepiano Festival 2015, at 20 October. Earlier that day, he will participate as a panel member at the Symposium on the historically informed performance practice